RW048

Recycling Wax is about to create.

Hey there,

Week after week, we have now spent 48 newsletters together. But one thing has never been as crazy as it is this week. I'm currently looking through the new releases and honestly asking myself: how many banger records came out this week? We're skipping the old school section today so we can put our full focus on the best records of the week. On top of that, we have a "Behind the Booth" written by Kathi, aka Krackk, from her perspective. Today we're going all in.

But first things first:

  1. Recent Cuts - Fresh vinyl and digital releases worth checking out.

  2. Behind the Booth - Personal stories, lessons, and perspectives from life as a DJ.

  3. Top 5 Samuel L Session - A handpicked selection, carefully curated each week by DJ’s.

 

1. Recent Cuts - Fresh vinyl and digital releases worth checking out.

 

© deejay.de
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© decks.de
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#1 Aleeks - Bloom: While browsing through the latest releases, I got stuck on one particular record right away. Let's start with a little side note. I don't know if you are familiar with the Ruhr area, where Dortmund is located, and where I live. The Ruhr area is basically a metropolitan region consisting of many cities. Dortmund sits in the eastern part of it. The RE1 regional train runs through the entire Ruhr area, starting in Hamm and ending in Duisburg, connecting all these cities. Right next to Dortmund is Bochum. To be honest, it's not exactly my favorite city. But there are definitely some outstanding techno producers from there that deserve recognition. And that's where Aleeks comes in. He once played at Junkyard, and we had a short conversation, but I already knew beforehand that he was an incredibly talented producer. Once you check out his new EP on Life In Patterns, it becomes clear very quickly how much quality is packed into this release. Timeless techno with subtle tribal influences, but always framed within a modern context. What I particularly love is the dreamy atmosphere throughout the record. You might think that this kind of techno could end up sounding too soft. Not with Aleeks. Driving, melodic, and the bassline give you everything you need down below for a strong track. At least that's the case on the A-side. Once you flip the record over, things become even more interesting. While B1 still carries some of the dreaminess from the A-side, but adds more punch, B2, "Echotex", takes things into darker territory. And then there's something I absolutely love on records: Locked grooves. Yes, yes, yes. How good is that? This is where Aleeks' love for old-school tribal really shines through. €14.99 for this many great tracks is insane. MUST-HAVE! Good luck, man. Your tracks are simply a joy to listen to.

#2 Jeff Mills - The Directors Cut Chapter 3: Axis and Jeff Mills are completely out of control. So many reissues. So many classics are casually returning. Meanwhile, Discogs resellers are losing their minds because some originals don't even start below €40 anymore. But Underground Resistance founder Jeff Mills clearly has zero interest in letting resellers fill their pockets. Chapters 1 through 6 brought back way too many amazing releases, but I'll focus on the two strongest ones. Let's start with an absolutely brutal masterpiece: UFO. I honestly can't put into words how much this track pushed me when I discovered it ten years ago. Back then, I used to turn my MP3 player up way too loud just to fully enjoy it. The distortion. The vocal. The synth. And the way the track suddenly transitions into that bleepy pattern. Incredible. The other three tracks almost feel like they belong to a completely different record. Either they don't fit UFO or UFO doesn't fit them. But we're talking about a record that belongs in EVERY collection of EVERY old-school techno lover. MUST-FCKN-HAVE!

 

© deejay.de
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© juno.co.uk
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#3 Jeff Mills - The Directors Cut Chapter 6: Well... Probably Jeff Mills' most famous track. The Bells. Of course. Remastered, repressed, limited. Buy it now or stop crying later when the Kat Moda original becomes completely unaffordable. Thank me later. Hehehe.

#4 Player - Player Three: Speaking of not crying later because something becomes unaffordable. This release completely slipped through my research. Player Three got reissued? If Nils, aka Backz, hadn't messaged me on Instagram today telling me he had ordered it, I would have missed it entirely. But just like The Bells, we're talking about an absolute classic that doesn't really need any introduction.

© bandcamp.com
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© decks.de
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#5 Dold - Caricia 003: I find Dold's development incredibly fascinating. First, there were these very reduced and minimal early releases. Usually a 909 and a 101 or some other classic Roland synthesizer. Pure techno. No compromises. Now he's increasingly bringing this unbelievably good groove into his basslines, and it completely blows me away. The moment you listen to A1, summer officially begins. Dold is moving in a direction that I can only fully support. One of the best producers on the planet right now. Seriously. How can someone produce tracks this well while including every element that makes a great techno track? A journey from old to new. From minimalistic to dreamy. To housey vibes while still being techno. To powerful and uncompromising. I don't get it. Maybe you do. Either way, Dold is building the bridge. BIG TIP!

#6 Oliver Dollar - Doin Ya Thang: One of the few records I bought as a first pressing back in 2011. Then, during my university years, I sold it for very little money because I was struggling financially. Today, I regret not having it in my collection anymore. At the moment, finding an original below €400 is almost impossible. And now there's a repress. Boom. A classic deep house track that dominated the deep house scene of the 2010s. Amazing track, even if it's a little cheesy. That's all I'll say. Listen for yourself.

 

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#7 Cirkle - Infinity Drift: Another Fuse release. Another incredible record. What is this legendary label even doing right now? It's unbelievable. Cirkle returns with another strong release. A1 pushes me into another universe. A2 through B2 are the perfect soundtrack to summer. Small club. Great sound system. A little sunlight slips through the blackout curtains. Fog. That's exactly the atmosphere these tracks deserve. Absolute must-have.

 

2. Behind the Booth - Personal stories, lessons, and perspectives from life as a DJ.

This section is written today by Kathi, aka Krackk.

I thought I'd take over the "Behind the Booth" section today and share some of my experiences with hate comments on the internet over the past few months. Unfortunately, I could probably fill twenty pages on this topic alone. At the beginning of this year, I decided to increase my social media presence because, whether we like it or not, it has become a basic requirement for getting booked regularly. In that context, I spent a lot of time thinking about what kind of content would feel authentic to me and what I could genuinely stand behind. Even so, I struggled with it at first because social media has very little to do with what I actually want to do: express myself artistically through music. I eventually decided to introduce and talk about records, because for me, DJing is fundamentally about sharing music and expressing myself through it. However, as a person who is not male in this scene, any kind of visibility also creates a stage and a space for criticism, and unfortunately, for hate.

I am deliberately referring to gender here because I have a direct point of comparison in Robin. We share an apartment and therefore also a music room, and we create content that is very similar both in terms of subject matter and perspective. Gender is therefore the most obvious difference between us. Of course, Robin has more expertise and experience simply because he has been DJing for many more years than I have. But that distinction is not necessarily apparent in a reel that lasts only a few seconds. Over time, I have collected countless screenshots of men unsolicitedly judging my abilities, my expertise, my appearance, and my taste. Or, more accurately, insulting them in the harshest possible terms.

People have denied that the records I present could actually belong to me. One person claimed to have enough expertise to know that there was no way a woman could have built such a collection; the records must have belonged to my father. Naturally, I'm not a real DJ either. I merely pretend to turn random knobs for show. Many people also seem preoccupied with questioning my gender. Because if I really am a woman, then apparently I look far too masculine. Maybe I'm transgender, which, in their eyes, would somehow be worse than being “just” a woman. Or perhaps I'm simply an “it,” and this it “sounds like it looks - garbage.”

Then there are comments like: “Wow, finally a woman who can actually do something and play records. If I just adjusted the pitch on the left deck by a millimeter and smiled a bit more, it would be perfect ;)” I don't want to go into further detail here because I don't want to give these comments, and the people behind them, even more attention and space. With essentially the same content, Robin probably receives about 0.1% of the negative comments that I do.

Why am I telling you all this?

Because this is not an individual problem. It is a broader social and structural issue that is very much present in this scene. In the past, I have led many FLINTA* workshops, and the experiences shared by participants consistently reveal gender-based discrimination. Every participant has encountered it in one form or another. I do not know a single FLINTA* person in this scene, regardless of how well-known they are, who has not had to endure this kind of behavior. No matter how this discrimination manifests itself, it affects you. It creates pressure to constantly prove yourself, to be exceptionally good, to leave no room for criticism, and to avoid making yourself vulnerable in any way. In short, it creates insecurity.

It takes away the joy. It leads to the exact opposite of what this scene originally stood for. And it has nothing to do with the spaces from which “our” scene emerged. All of us are responsible for what these spaces will become in the future. This text is intended as a point of reflection. And I hope it encourages more people to actively stand up against this discrimination. Otherwise, the space we love will be lost. 

 

 

3. Top 5 Samuel L Session - A handpicked selection, carefully curated each week.

Today I was scrolling through my Discogs collection, which, fortunately, I fully catalogued years ago. And one thing stood out to me. I've never done a TOP5 dedicated to one of Sweden's greatest DJs and producers. We all know him. Basslines so deep they go straight into the heart of every techno listener. So much feeling. So much groove. So much passion. And he's been doing it for almost thirty years. New and old releases constantly appear on Bandcamp. For me, he's an inspiration and one of the greatest producers when it comes to atmosphere and depth. I'm talking about Samuel L Session. I honestly can't remember playing a set during the last two years without at least one Samuel L Session track. Samuel always has to be there. A mix needs highs and lows. And Samuel brings depth without ever feeling like the low point of a set. Do you get what I mean?

© discogs.com
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© discogs.com
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#5 Check Out This I Bring

#4 In Your Box

 

© discogs.com
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© discogs.com
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#3 Moments Of Clarity

#2 A Bastards Work Is Never Done

 

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#1 Funk De Luxe

This weekend I don't have any gigs. And honestly, I'm getting a strong urge to produce music again. Finishing projects. Starting new projects. We'll see. I really feel like releasing a record again. It's about time. It's been one and a half years now. But creativity isn't something you can simply pull out of a drawer and switch on whenever you want. Wish me luck! :-) See you next week!

And don’t forget: keep sending me your favorite track or record. Who knows? Maybe you’ll be the one curating the next pick in the Community section.

Simply reply to this email or comment here with a link to your favorite E.P.

Catch you next week! Be ready to drop the needle on my next picks.

Keep it spinning,
Robin Tasi @ Recycling Wax

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