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RW039
Recycling Wax survived Easter.

Hey there,
Did you miss me? A lot happened quietly last week. Not only did the Recycling Wax Radio Show run for four hours last Thursday at Mono, the café of Black Plastic Record Store in Dortmund, but a winner for the $100 Mystery Box was also announced. Big congratulations again to DJ Kero B. The package should already be on its way to you. Today, we’re starting in the usual fashion.
But first, let’s begin as usual, as follows:
Recent Cuts - Fresh vinyl and digital releases worth checking out.
Essential Oldschool - Records from the 90s and early 2000s that still matter today.
Behind the Booth - Personal stories, lessons, and perspectives from life as a DJ.
Top 5 Recent Techno Labels - A handpicked selection, carefully curated each week by DJs.
1. Recent Cuts - Fresh vinyl and digital releases worth checking out.
![]() © bandcamp.com | ![]() © decks.de |
#1 Skee Mask - ISS012: Expect the Unexpected. I don’t think you could describe an artist more accurately with one sentence than Skee Mask. The guy from Munich, now based in Berlin, really knows how to surprise people over and over again. And what’s even more impressive is how he constantly reinvents himself while still staying true to his artistic direction. Just amazing. Another great EP, simply gold. BIG TIP! | #2 Various Artists - 5 Deadly Venoms: Scorpion: A diverse various artists release, exactly my taste. Especially Kid Kun and Volpe deliver the punch, both taking track two on side A and B, respectively. Overall, really nice tracks, refreshing, harmonious, well put together. The first tracks on both sides shouldn’t be underestimated either, straight kicks with some drum and bass influences. |
![]() © deejay.de | ![]() © bandcamp.com |
#3 Regent - Arcane EP: I think I talked about Regent, the rising star of the techno scene, last time, right? Well, nothing has really changed. Still delivering solid output, still dreamy, still straight and emotional techno. Very nice | #4 Hertz - Timballe: A classic, but let’s start with Timballe. I think the tribal phase is fading a bit right now, less samba, more depth. But Hertz was one of the early flag bearers of tribal techno. There’s also a Coyu remix, which doesn’t really elevate Timballe to a new level but feels more like a tasteful edit that adds a bit of modern touch. The B side is more playful and less straight, and I really like that too. |
![]() © traxsource.com | ![]() © bandcamp.com |
#5 Lomi / Dornen - A Sudden Burst Of Noise: My friends from Cologne created something special. Brutalism has stood for high-quality sound from Cologne for over a decade. Not just deep techno, but experimentation across all sound dimensions. Now their second experimental record is out. What fascinates the label is brutalism itself, just like the name suggests, especially in architecture. They host concerts in a brutalist church with visuals and matching music. It looks absolutely breathtaking and is highly recommended. Lomi and Dornen take you on a journey into brutalist techno spheres. MUST HAVE!" | #6 Vince Watson - Eminesence: One of my favorite artists is back, this time with a beautiful house EP featuring a rework of Eminesence and a mix of Reach For The Sun. A really nice repress of tracks originally released around 2015. BIG TIP. |
2. Essential Oldschool - Records from the 90s and early 2000s that still matter today.
![]() © discogs.com | ![]() © discogs.com |
#1 Polyvinyl - AB019: Yeah, guys, back in the day, aliases were everywhere and defined an artist across many different facets of music. The same goes for Umek. While it’s well known who is behind Recycled Loops or Zeta Reticula, Polyvinyl is much less recognized. But it’s also Umek behind it, which you can actually hear right away, or can you? Kathi played in New York two weeks ago and spent a few days there. She really wanted to bring me back a record from a record store. After she didn’t find anything, she instinctively went back to a shop she had already visited. And there it was, a Dance Mania record right in front of her, which she brought for me. But during our video call, I asked her to go through the crates for me. There were only two crates, so it was pretty quick, I guess. And boom, there it was. Polyvinyl, recently added to my wantlist, with only one seller in the US. Yeah lol, it wasn’t even from the store Kathi was currently in, but for 5 euros, you really can’t complain. Amazing record, four solid tracks on it. | #2 Alien FM - Alien FM: Black Plastic recently bought another great collection, and I had the privilege of being the first to dig through it. With the condition: don’t take all the best records. Fair enough, but still, there are always a few records I can pull out with a clear conscience. In a larger collection of over 500 records, the nine records I take out don’t really stand out that much. Anyway, this collection was full of Detroit techno and electro. Right now, I’m really getting back into electro, even though it hasn’t been as present for me in recent years. But I absolutely needed this record. Between experimental sounds, sometimes tracks without a kick, and really nasty electronic sounds. That’s exactly how you can describe Alien FM. MUST HAVE and worth every cent for the record. The full album is on YouTube. My favorite Journey’s (In Dub). |
![]() © discogs.com | ![]() © discogs.com |
#3 Tektrax - Tektrax Volume 1: Let’s move on to a hidden gem, Chris McCormack aka Tektrax. I pulled this record as a white label with no markings at all from one of the crates mentioned above. I always listen to every single white label out of pure passion, because I’ve always had great luck with them. And the same thing here. Every single one of the four tracks is a banger after banger. Even the electro track is simple, but it still hits hard. And the best part, it’s still reasonably priced and available. If I were you, I’d buy this record, unless you already have it in your collection. Now you know hehe. | #4 D.J. Naughty - G Style EP: A record to fall in love with in every way. The German producer with Italian roots knew exactly how to impress DJ Hell. And yeah, what can I say? Dani und ich is simply a masterpiece for me. Sure, it doesn’t sound polished at all and more like a 64 kbps MP3 version, but that’s exactly what gives the track its charm. Just driving and good. MUST HAVE! |
![]() © discogs.com | #5 Sterac - Skreel-Ah / Nemec: I’m not sure if I’ve already written about this record before. But anyway, it’s definitely worth writing about again. What the Amsterdam-based Steve Rachmad has done under his alias Sterac is hard to beat. He is known for minimalist techno, but Nemec pulls me in every single time. Of course, released on M Plant, the label of labels when it comes to high-quality minimal techno. |
3. Behind the Booth - Personal stories, lessons, and perspectives from life as a DJ.
This time I was behind “Behind The Booth”, because I accompanied Kathi to her gig in Cologne, more precisely at Artheater. She got to play the closing set in the basement for the Katana crew after Laure Croft. I very often miss Kathi’s gigs, and I would really like to change that. So we stayed in a relaxed hotel, walked to Kompakt Record Store and went digging, went to the artist dinner, and I treated myself to a few Kölsch and a pizza, and we even slept a bit before her gig. That was really nice. To be honest, I didn’t expect us to find anything at Kompakt Store, since the shop explicitly focuses more on newer releases. Kathi really went all in, though, because unlike me, she isn’t so stubborn about only digging and playing old-school sound. Definitely an advantage for her, but not for the wallet. Especially with all those reissues on Rawax that are re-releasing all the Dance Mania records hahaha.
When we arrived at Artheater, Kathi started at 5. The floor was very well filled, people had already gotten into the vibe during Laure Croft’s set before, and Kathi immediately took over and drove the crowd into ecstasy for a good three hours. I remember so many smiling and satisfied faces. Except for a few times going to the bathroom and grabbing vodka sodas for Kathi and me, I stood behind her booth and was somehow very introspective and thoughtful. Around me, noticeably younger people were dancing, which I found very interesting. Everyone currently has this kind of dance style that I know from TikTok and elsewhere. I personally think it looks totally unesthetic, but I found this phenomenon of dance styles really fascinating. Because honestly, I can’t dance and never really wanted to. Most of the time, after playing for four hours, I get serious back pain because I mostly stand still and don’t move, until Kai Uwe Müller, with his wise over-50 advice, told me, “Robin, you need to move, then you won’t have back pain anymore.” He’s right. And still I just stand there doing nothing while playing. Not like the people around me. People were squeezing their cheeks together, frowning, and flailing their arms. Honestly, this current dance style reminds me of those gothic techno ravers under a bridge wearing super colorful clothes and waving their arms in the same way. Back then, everyone laughed at those people in the video. It went viral as well, more than 10 years ago. Today it’s completely normal to dance like that. When I do dance, I just move from left to right and basically shift my weight in rhythm from left to right and back again, over and over. It doesn’t get more boring than that. And then I started thinking about these endlessly debated questions: Is this current dance style actually part of the TikTok wave? Do people dance like this just because they feel like they have to? Good questions that we can take a closer look at.
Dance styles change, they come back, and they appear like phenomena. Like fashion. Like art. It comes, it goes. It’s popular, then it’s not. I clearly think that TikTok has mainly helped to establish this dance style, to spread it, and make it more popular. Maybe also to explain it, to showcase it, and to function as a kind of guide for how to dance like that. But fundamentally, there are dance styles that are not only visually appealing but also functional. For example, how are you supposed to dance to 200 BPM gabber in a way that matches the speed? Hakken works quite well, because just jumping on the spot looks unesthetic. But at the same time, it looks completely ridiculous to hakken to Enrique Iglesias, and it’s not functional at all either. It completely kills the drive. In my opinion, dance styles are a form of creativity that also goes hand in hand with music. TikTok is the medium that shows how well music and dance styles can match.
Let’s go back 10 to 15 years. Let’s look at the time when I was in my early 20s and went to clubs to “dance”; well, I mostly just stood around. What was there back then? TikTok didn’t exist, Instagram was still in its early stages, and you couldn’t upload videos yet; Facebook wasn’t big for videos like YouTube was. But I still remember jumpstyle, tecktonik, and the worst of all: shuffling. Such an annoying dance style. Do you remember those shuffle videos? I found them so uncomfortable and already so embarrassing that I sometimes couldn’t look away. People who take up huge amounts of space on the dancefloor, constantly step on your feet, and make the vibe feel completely hectic with their twitchy style. But back then, no one talked about YouTube ruining club culture. Even though there were already videos and tutorials for shuffling. So I think it’s not the medium that creates a dance style. I think people, choreographers create dance styles as a form of creativity. It only becomes popular through social media.
Let’s get back to Kathi’s gig again. I was standing there leaning against the wall behind Kathi, next to me, what I’ll just bluntly call “people flailing their arms”. One of them asked me if it was okay and that I should let her know if she was taking up too much space. A shuffle guy never asked me that. Honestly, that was nice. They were usually annoyed if I was in their way. And those ugly pants. Anyway, back to the point. Even though I wasn’t dancing and probably looked more like a dad outfit-wise, I still realized that dance styles change, they come and go, but they are still a form of expression. And if you’re not bothering anyone else, then it’s completely fine. And I’m also fine with not dancing and mostly just looking around and listening to the music.
What do you think about it? Does this dance style annoy you, or do you dance like that?
4. Top 5 Recent Techno Labels - A handpicked selection, carefully curated each week.
Today I want to present my TOP 5 recent record labels in new school techno. Since I’ve been partly responsible for the electronic section at Black Plastic Record Store and also selecting new releases, and since I’ve been writing the newsletter, I’ve become a bit more up to date when it comes to new sounds. That’s why today I want to highlight five labels that perfectly capture the current moment, but at the same time have the potential to become timeless classics. But it’s not only about being at the pulse of the time, as a label curator, you should also follow a vision. A vision that goes beyond good marketing and doesn’t strictly follow trends, but instead shapes the spirit of the time itself. That’s very difficult, because in the end, you’re also dependent on the music of others. So, having a vision is all well and good, but running a label entirely on your own requires a lot of time, which you usually don’t even have. The best labels are actually the ones that surround themselves with people who share a similar vision and, in that way, create a unique vibe. This TOP 5 is not ranked. I just want to introduce you to the labels:
![]() © bandcamp.com | ![]() © bandcamp.com |
#1 Mutual Rytm: Run by Marco aka SHDW and also curated by him. Marco puts a strong focus on recurring design elements, a very well thought-out logo, and above all, quality. Whether it’s tote bags, T-shirts, or the records themselves. Die cut sleeves, colored inner sleeves. Everything fits and shows that someone really cares. Marco once told me that he even creates the designs himself. The music, however, comes from all kinds of producers from around the world, whether completely new or already established. But there is always a focus on DJ tools, on very reduced tracks, on synthesizers that are not constantly running, and on harmony. What really defines the label is that it is powerful and expressive, but not overloaded with drums. Less is more here. And above all, this is a very emotional label. There is not only a lot of love in the details, but also in the music. This is not a generic label; this is a well-thought-out label that has, in a short time, become one of the leading ones. | #2 TH Tar Hallow: A label by Thanos Papadopoulos from Rotterdam. Not only does Thanos work at Triple Vision, but he is also a point of contact for many labels that work together with Triple Vision. That’s also how I got to know him, and we had a chat over a cigarette when I visited Triple Vision. And honestly, with this label, I can buy records blindly. It really doesn’t matter who releases it. One thing is very clear here: there is a direction. And that direction is techno. Raw, hard, deep, and incredibly high quality. I think I really buy every Tar Hallow record for Black Plastic, because it’s exactly the kind of sound that is not only current, but absolutely timeless. This label will still be talked about by techno lovers decades from now. |
![]() © discogs.com | ![]() © discogs.com |
#3 Kilotoni: I can’t and don’t want to say this too rarely. My absolute favorite label at the moment. Kilotoni is a label from Helsinki in Finland, and Kilotoni always releases Kilotoni. There is absolutely no information about the artist or the label of the same name. You can pick up records at OK SOUND Helsinki during specific opening hours. Otherwise, the label is distributed by WORD AND SOUND Medien GmbH in Germany. There is an email address and a fax number. That’s it. So mysterious that, of course, rumors have already started. It is said that the tracks on Kilotoni were actually recorded back in the 90s. I have no idea. What I do know is that every release hits hard. And tomorrow, the fourth record is coming out, which I will also buy. Vinyl only. So good. | #4 Self Reflektion: Let’s stay in the Netherlands. Originally from Rotterdam, now moved to The Hague, my friend Mitchel aka Stranger aka TAFKAMP is behind Self Reflektion. This label exists without a big Instagram presence, but with really fresh and great sounds. Almost tribal at times, it shows the joyful side of techno. While other techno labels tend to be darker and more minimalistic, Self Reflektion feels much more upbeat and comes with a smile. I also really like the consistent artwork. Simply a top-notch label that always sells well in our store. |
![]() © discogs.com | #5 Sublunar: Finally, we come to the label by Sciahri and Dagdrom from Italy. Started in 2017, I already loved the Devotion Parts back then. Cold, uncompromising, and at times very bleepy techno. But above all, the label stands for an extremely clear and self-defined direction. Not only do the artworks speak for themselves, but the label has also always stayed true to its sound while subtly evolving. A label that is far away from any kind of sellout and focuses on both its own productions and external artists. Between 2017 and 2022, not that much happened compared to the period from 2022 until now. The label has really picked up the pace when it comes to releasing records. Clear recommendation. |
That’s it for this week. We’re getting closer to issue 50. By then, I’m actually planning to introduce the possibility of guest writers. I’ve already had a few requests from actual journalists asking if they could contribute. So far, I’ve been saying “yeah, we’ll see,” because I like the idea, but I’ve been too lazy to really put it into action. But I think I need a bit of new inspiration. Somehow, I keep similarly phrasing things, and I’m not really evolving. That definitely needs to change. Let’s see how it goes. Anyway, see you next week 🙂
And don’t forget: keep sending me your favorite track or record. Who knows? Maybe you’ll be the one curating the next pick in the Community section.
Simply reply to this email or comment here with a link to your favorite E.P.
Catch you next week! Be ready to drop the needle on my next picks.
Keep it spinning,
Robin Tasi @ Recycling Wax
















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